Colophons
Colophons are usually written
in smaller letters, or yig chung. In texts translated into Tibetan, the translators colophon (‘gyur byang)
gives the name of the Indian panditas and Tibetan lotsawas involved. Sometimes, particularly with more recent texts, there
is also a printers’ colophon (dpar byang) which mentions the patron who sponsored the carving of the woodblocks.
Years
In the Sixty Year Calendrical Cycle (rab byung), each
year has a Sino-Tibetan name and an Indo-Tibetan name. Tibetan authors often use the Indo-Tibetan name in colophons, perhaps
because it is considered poetic. In the translation, it is often helpful to ‘translate’ the Indo-Tibetan name
into the more familiar Sino-Tibetan form, and then provide the equivalent year of the Gregorian calendar. Tables of correlation
between Tibetan and Gregorian calendars may be found in Tibetan Astrology by Philippe Cornu and in the Great
Dictionary (tshig mdzod chen mo).
Months
Instead of the simple name for
each month (first month, second month and so on), colophons often refer to months according to the Indian system, in which
the names are derived from the constellation in which the full moon occurs.
mchu first month, Skt. maagha
dbo second month, Skt. phalguna
nag pa third month, Skt. caitra
sa ga fourth month, Skt. vaishaakha
snron fifth month, Skt. jyeshtha
chu stod sixth month, Skt. aashaadha
gro bzhin seventh month, Skt. shraavana
khrums eighth month, Skt. bhaadra
tha skar ninth month, Skt. ashvinii
smin drug tenth month, Skt. kaartika (Pleiades)
mgo eleventh month, Skt. mrgashiraa
rgyal twelfth month, Skt. paushya
See Tibetan Astrology,
Philippe Cornu, p.172
Other names for months:
dka’
thub first month
cho ‘phrul first month
sprel seventh month
dbyu gu ninth month
Days
dkar phyogs the waxing moon
dkar phyogs
dang po the first day of the month
dmar phyogs the waning moon
rdzogs pa
dang po the 5th or the 20th
rdzogs pa
gnyis pa the 10th or the 25th
rdzogs pa
gsum pa the 15th or the 30th
Other words and expressions
Aside from the date, colophons
often mention the person who requested the text to be written and any offering they made at the time.
mjal dar white silk scarf
lha rdzas white silk scarf
rin chen
gnyis pa silver (literally 'the second precious metal')
Note that termas have their own
style of colophon, which make mention of the seals of secrecy placed upon the text.
Lamas will also frequently refer
to themselves with extreme humility, as ‘the scruffy beggar’ (sprang po hrul po), the ignorant fool (blun
rmongs) and so on. In some cases, they will use an unfamiliar name, such as their tertön’s name for a text associated
with terma, or their ‘poetry’ name for a text on poetry. They may also translate their name into Sanskrit. Kyabje
Trulshik Rinpoche, for example, whose full name is Ngawang Chökyi Lodrö, often signs texts as Vagindra Dharmamati. And Khenpo
Tsöndrü signed some of his writings as Virya, which is the Sanskrit for Tsöndrü.