Colophons
Colophons
are usually written in smaller letters, or yig chung. In texts translated into Tibetan, the translators colophon (‘gyur
byang) gives the name of the Indian panditas and Tibetan lotsawas involved. Sometimes, particularly with more recent
texts, there is also a printers’ colophon (dpar byang) which mentions the patron who sponsored the carving
of the woodblocks.
Years
In
the Sixty Year Calendrical Cycle (rab byung), each year has a Sino-Tibetan name and an
Indo-Tibetan name. Tibetan authors often use the Indo-Tibetan name in colophons, perhaps because it is considered poetic.
In the translation, it is often helpful to ‘translate’ the Indo-Tibetan name into the more familiar Sino-Tibetan
form, and then provide the equivalent year of the Gregorian calendar. Tables of correlation between Tibetan and Gregorian
calendars may be found in Tibetan Astrology by Philippe Cornu and in the Great Dictionary (tshig mdzod chen mo).
Months
Instead
of the simple name for each month (first month, second month and so on), colophons often refer to months according to the
Indian system, in which the names are derived from the constellation in which the full moon occurs.
mchu first month, Skt. maagha
dbo second month, Skt. phalguna
nag pa third month, Skt. caitra
sa ga fourth month, Skt. vaishaakha
snron fifth month, Skt. jyeshtha
chu stod sixth month, Skt. aashaadha
gro bzhin seventh month, Skt. shraavana
khrums eighth month, Skt. bhaadra
tha skar ninth month, Skt. ashvinii
smin drug tenth month, Skt. kaartika (Pleiades)
mgo eleventh month, Skt. mrgashiraa
rgyal twelfth month, Skt. paushya
See
Tibetan Astrology, Philippe Cornu, p.172
Other
names for months:
dka’ thub first month
cho ‘phrul first month
sprel seventh month
dbyu gu ninth month
Days
dkar phyogs the waxing moon
dkar phyogs dang po the first day of the month
dmar phyogs the waning moon
rdzogs pa dang po the 5th or the 20th
rdzogs pa gnyis pa the 10th or the 25th
rdzogs pa gsum pa the 15th or the 30th
Other
words and expressions
Aside
from the date, colophons often mention the person who requested the text to be written and any offering they made at the time.
mjal dar white silk scarf
lha rdzas white silk scarf
rin chen gnyis pa silver (literally 'the second precious metal')
Note
that termas have their own style of colophon, which make mention of the seals of secrecy placed upon the text.
Lamas
will also frequently refer to themselves with extreme humility, as ‘the scruffy beggar’ (sprang po hrul po),
the ignorant fool (blun rmongs) and so on. In some cases, they will use an unfamiliar name, such as their tertön’s
name for a text associated with terma, or their ‘poetry’ name for a text on poetry. They may also translate their
name into Sanskrit. Kyabje Trulshik Rinpoche, for example, whose full name is Ngawang Chökyi Lodrö, often signs texts as Vagindra
Dharmamati. And Khenpo Tsöndrü signed some of his writings as Virya, which is the Sanskrit for Tsöndrü.